Events

Pantone’s Colors of 2018

 

Pantone Home + Interiors 2018 Pantone Color Institute Executive Director Leatrice Eiseman recently shared color and design trends for 2018 at the International Home + Housewares Show.

 

Eiseman studies fashion runways, the art scene, television, movies, architecture, retail, theater, food and consumer goods all over the world, tracking what hues are in, what’s out and what can be used in unique combinations to catch consumers’ eyes.

 

Among the design trends Eiseman highlighted are: our fascination with letters and words as a design element, the use of triangles in both contemporary and retro themes, dimensional diamonds and intricacy, which is likely spurred by the explosion of 3-D printing. Wood treatments have also become “very unique and really artful,” she said. And in a throwback to the 1970s, fringe is “very hot and very strong.”

 

As for general color trends or treatments, “Metallics we know are classic,” Eiseman said. “But they have really moved over into neutrals.” She also sees a continued fascination with iridescents – “The human eye can absolutely not avoid” anything iridescent, pearlized or translucent, she added.

 

Eiseman also cited a movement to more exotic or intense colors, which is a contrast to the popularity of pastels in the last few years – though those colors are not going away. “Intense colors seem to be a natural application of our intense lifestyles and thought processes these days,” she said.

 

The eight color groupings are:

 

Verdure – This palette features vegetal kinds of colors like Celery and Foliage being combined with berry-infused purples and an eggshell blue. “This palette is so symbolic of health,” said Eiseman, but it updates the profusion of greens with some bright and contrasting hues.

 

Resourceful Complementary colors on the color wheel – oranges and blues – are combined in this palette that is clever and “resourceful” in re-using and re-furbishing what consumers may already own. “This is quite an interesting color combination. It combines warm and cool tones that you just can’t avoid looking at it.”

 

Playful Speaking to our need for whimsy, the Playful palette is out-of-the ordinary and quirky. The colors are “bright-hearted more than light-hearted” with names to match, like Minion Yellow, Lime Popsicle, Green Flash and adventurous blue Skydiver.

 

Discretion – Low-key and subtle, Discretion is the opposite of Playful. Nostalgic hues such as Elderberry, Burnished Lilac and Hawthorne Rose combine with strengthening tones to offer newness to a subtle palette.

 

Far-fetched – This palette “reaches out and embraces many different cultures,” said Eiseman. It refreshingly combines three popular rosy tones with Iced Coffee and Ruby Wine, as well as a few earthy tones such as Cornsilk yellow.

 

Intricacy – This palette reflects the popularity of intricate designs . It features the “new neutrals,” aka metallics, but a florid Holly Berry Red and yellow Sulfur add a layer of drama.

 

Intensity – Providing an eclectic mix of colors, Intensity conveys “a certain strength, power, depth and sophistication,” said Eiseman. Coolly composed shades of plum, blue and blue-green quell the fires of orange Emberglow, Molten Lava and Bossa Nova. Golds and black complete the palette.

 

TECH-nique – In a nod to the proliferation of technology, this palette features hues “that seem to shine from within.” Colors include a vibrant blue, green, fushia and purple, along with iridescent peacock tones in both turquoise and hot pink, which are offset by Brilliant White and Frosted Almond.

 

 

sources: homeaccentstoday, pantone

Auckland Harbour Bridge set to be illuminated


The Auckland Harbour Bridge will be set in lights in a bold plan poised to transform the city’s skyline and create a global attraction. The $10 million project will see the bridge illuminated with lights powered by solar energy. It is believed to be the first major bridge in the world to have all its lighting powered entirely by solar power from 630 panels installed on top of North Wharf in Wynyard Quarter.

 

The bridge will join world monuments like the Sydney Opera House, Eiffel Tower, Empire State Building and Dubai’s Burj Khalifa skyscraper, which all light up in customized displays. Often the lights are set to match a holiday or in solidarity of a tragic event.

 

Every light – using half the energy of standard lighting – will be individually controlled, allowing colors to change. The planning, consenting and installation of nearly 90,000 LED lights and 200 floodlights is expected to take several months. It is hoped the lights will be turned on before the end of 2017.

 

Lighting the bridge represents the next phase of a 10-year partnership between Vector and Auckland Council. The New Zealand Transport Agency, which manages the bridge infrastructure, says it is pleased to support the project. “The bridge has been an integral part of the city since it was built more than 50 years ago and we’re delighted to be using sustainable resources to bring it to life at night,” says NZTA chief executive Fergus Gammie.

 

 The bridge under construction in 1958

The bridge north-west from the Sky Tower

 

sources: wikipedia, nzherald

The Inaugural Toronto Light Festival

 

The inaugural Toronto Light Festival officially launched on January 27th at the Distillery District in downtown Toronto and ran until March 12th. The event featured 21 light-based installations by both local and international artists that were located both inside and outside of the Distillery’s buildings.

 

The idea behind the event is to not only showcase local and international artists, but to provide entertainment and inspiration to locals by pulling them out of their winter hibernation during the cold months and onto the streets to enjoy the sights.

 

 

 

 

sources: blogto, torontoguardian

Off-balanced and wonderfully surreal

 

London-based Child Studio, which was set up by Chieh Huang and Alexey Kostikov earlier this year, designed the lamps to appear “as if frozen in time.” Shown at the recent Milan design week, the lights appear to have been caught in the middle of sliding or rolling down wooden plinths of various shapes and sizes.

 

According to the designers, the lighting references the surrealist paintings of Giorgio de Chirico. “The ambiguous scale and striking silhouettes of the pieces give them an architectural quality,” said the studio. “The project invites the viewer to pause and to reflect on their perception of time within the physical environment.”

 

The pair used colored and lacquered ash wood for the lights’ bases, which include sloping circular plinths and scoop-shaped supports that the lamps appear to be rolling into. Each base features a different finish, with some revealing the underlying grain of the wood and others polished to a high gloss.

 

“It was important for us to find an authentic and interesting way to present our work in Milan as the design week is dominated by big brands,” they explained. “It is getting hard for independent designers to participate and show their work so it was essential we found somewhere unique.”

 

 

source: dezeen

Harpa Light Organ

 

As part of the Sónar Festival Reykjavík, Reactify collaborated with Atli Bollason, Owen Hindley and Jonas Johansson to create a light organ that allowed people to ‘play’ the lights on the side of the Harpa Concert Hall.

 

Building on Hindley and Bollason’s work from previous years where they allowed people to play Harpa Pong, and featuring the animation work of many other talented visual artists, the light organ was the latest addition to the repertoire of how people can interact with the look and feel of this beautiful building at the heart of Reykjavik’s culture.

 

source: reactifymusic

NASA researches LEDs

 

NASA has researched the advantages of LED lighting systems within the spacecraft environment. The Solid-State Lighting Module (SSLM) is designed to replace a General Luminaire Assembly (GLA) unit on the International Space Station (ISS). Identical to the GLA in fit and form, the SSLM temporarily replaced a GLA on ISS. The crew was asked to complete a brief evaluation regarding the quality of the light output and the usefulness of the dimming feature. The SSLM measures 26.5″ x 6.6″ x 3.9″ and has a mass of approximately 7.5 pounds.

 

Three ground-based studies were completed on visual performance, color discrimination, and melatonin (melatonin promotes sleepiness) suppression in healthy human subjects under different SSLA light exposure conditions inside a high-fidelity replica of the ISS crew quarters (CQ). Color discrimination tests showed no significant differences in color discrimination for indirect daylight, fluorescent room light, and SSLA light in the CQ. Also, there were no significant differences in score or time for subjects performing contrast tests. Presently, the data demonstrate that bright white Solid-State Lighting Module-Research (SSLM-R) light supports visual performance and color discrimination equivalently to typical indoor exposures to indirect daylight and overhead fluorescent light. In addition, increasing exposures to SSLA inside the CQ elicit increasingly stronger melatonin suppressions in healthy volunteers. The findings demonstrate the feasibility of doing controlled studies on visual, neuroendocrine and circadian responses in a high fidelity replica of an ISS component.

 

Early studies represent a start towards quantifying the broader range of visual, biological and behavioral responses to light once the current fluorescent lighting system is replaced by solid-state lighting. The data reported here begin to address long-duration space exploration, and the rapid development of solid-state lighting that will ultimately revolutionize how our public facilities, work places and homes are illuminated in the coming decades. Similar to some of the astronauts, a significant portion of the global population suffers from chronic sleep loss or circadian-related disorders. By refining multipurpose lights for astronaut safety, health and well-being in spaceflight, the door is opened for new lighting strategies that can be evolved for use on Earth.

 

 

source: NASA

Selfies in El Paso

 

Architectural firm, AGENCY, recently built a temporary installation in El Paso, Texas that explored the phenomenon of Selfies and the privacy issues related to these photos. According to AGENCY, selfies are a resource for third-party data-crunchers who use facial and pattern recognition software to extract identity and mood. Metadata is embedded in the photo file, social network post protocols, mobile device settings, and user-generated content, jeopardizing every selfie-taker’s individual data privacy.

 

SELFIE WALL created a range of lighting conditions day and night, offering a dynamic and interactive space for self-photography. The wall was built from 162 custom-fabricated units, CNC-milled from composite aluminum panel, and folded to shape different apertures for bouncing, scattering, and collecting light. A grid of LED lights was inset to provide zones of different color temperatures at night. A range of warm color temperatures, flattering to skin tones lined the inner surface of the space, while a range of cool whites provided a more accurate color rendering on the outer surface.

 

 

 

source: agencyarchitecture

Every Refrigerator Tells a Story

 

Crowded with notes, photos, memories, souvenirs and magnets; every refrigerator tells a story. The latest exhibition at Center for Architecture Sarasota (CFAS), Human Tales on Refrigerator Doors, Sweet Sparkman Architects and the master students of UF CityLab-Sarasota finally give the refrigerator door the spotlight it deserves.

 

Featuring seven vintage doors in the show, the architects and students celebrated not only the natural geography of Florida, but the architectural history and traditions singular to the area and placed aspiring architectural students into the built environment to work with seasoned professionals.

 

 

sources: CFAS, srqmagazine, sarasotamagazine

Dramatic Projection Display at Chicago’s Merchandise Mart

 

The Merchandise Mart, one of Chicago’s most important landmarks, will soon become a magnificent visual display that lights up a major portion of the downtown area.

 

In 2018, a massive projection screen will display images and videos across the entire expanse of the Mart’s riverfront side. The idea was first proposed in 2014 by Mayor Emanuel’s team and the tourism bureau of Chicago.

 

Construction on the Merchandise Mart was completed in 1930, and it was once the largest building in the world at the time it was erected. Known for its iconic art deco style, the Mart houses floors and floors of space for art galleries, special exhibitions, and vendors.

 

This plan is one of many in the downtown area to increase tourism with creative urban planning, recreational space, and public art. The unique display might liken Chicago to cities like Paris or Las Vegas that are known for their massive displays. The privately-funded project at the Merchandise Mart might be the first of a handful of buildings in the city that might be used for visual projections.

 

source: urbanmatter

Beijing is Getting the World’s Tallest Atrium

 

Currently under construction in Beijing is a 46 story tower , the Leeza Soho.  The structure is within the Lize Financial District and will be well connected to the city with its location above a subway interchange station.  Zaha Hadid Architects write: “As the tower rises, the diagonal axis through the site defined by the subway tunnel is re-aligned by ‘twisting’ the atrium through 45 degrees to orientate the atrium’s higher floors with the east-west axis of Lize Road, one of west Beijing’s primary avenues.”

 

The twist in the atrium allows natural light to penetrate into the center of all the floors and allows for a diversity of views into the city from all directions. The tower is on track for completion in 2018.

 

 

 

source: inhabitat